practice

Dye

Rituals · Colors & materials

The craft of coloring cloth. Woad, indigo, and imperial color laws are crafts and politics, not a single color-magic.

color · 104

Dye is associated with Blue.
Dye crafts include blues from woad and indigo. Politics of cloth-color are local laws and markets.
from Pliny the Elder · Natural History, c. 77 CE; Julius Caesar · Gallic War, c. 50s BCE
associated with · sourced · documented
Indigo is used in Dye.
Indigo is a dye. Plantation indigo is a colonial crop-history, not woad and not a mood.
from Pliny the Elder · Natural History, c. 77 CE
used in · partially sourced · documented
Tyrian purple is used in Dye.
Pliny’s Natural History treats Tyrian purple among murex shellfish dyes: the famous purple of cloth and rank. A Roman-era dye use of the murex liquor, not generic purple as a hue word and not cochineal.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Madder is used in Dye.
Pliny’s Natural History treats madder (rubia) among plant dyes that fix reds on cloth. A Roman-era dye use of the root, not cochineal, not carmine as a later lake alone, and not generic red.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Kermes is used in Dye.
Pliny’s Natural History treats the kermes/coccum insect scarlet among cloth dyes of the Mediterranean. A Roman-era dye use of the oak scale, not cochineal and not scarlet as an English color word alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Weld is used in Dye.
Pliny’s Natural History treats weld and related yellow plant dyes among cloth colorants. A Roman-era dye use of the yellow weed, not orpiment as a mineral yellow and not a modern paint chip.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Sinopia is used in Dye.
Pliny’s Natural History treats sinopis, the red earth of Sinope, among painters’ and colorants’ reds. A Roman-era pigment use of that named earth, not red-ochre as a general iron-earth already walked and not blood.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Egyptian blue is used in Dye.
Pliny’s Natural History treats Egyptian blue frit among artificial blues of painting as well as among related material speech. A Roman-era pigment use of Egyptian blue, not the medicine seat already published and not azurite as the copper mineral already walked.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Sepia is used in Dye.
Pliny’s Natural History treats cuttlefish secretion among brown inks and marine pigment speech. A named sepia in that encyclopedia, not lampblack as soot black and not bistre as later wood-soot wash.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Crimson is used in Dye.
Pliny’s Natural History seats crimson cloth-colors among Roman textile dye speech related to coccum neighborhoods. A named crimson dye use in that encyclopedia, not crimson medicine already walked under a dye-named relId and not kermes as the insect source alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Terre verte is used in Dye.
Pliny’s Natural History treats green earth among pigments used in coloring and painting craft. A named terre-verte pigment use in that encyclopedia, not malachite dye/ore walks already filed and not terre-verte-roman-pliny as the encyclopedia seat alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Azure is used in Dye.
Pliny’s Natural History treats caeruleum/armenium blues among copper and mineral blues of painting craft in the azure color neighborhood. A named azure pigment use in that encyclopedia, not egyptian-blue or azurite as neighboring blues already walked and not cerulean as later cobalt stannate refused here.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Henna is used in Dye.
Dioscorides’ De Materia Medica notes cyprus / henna among plants whose leaf colors hair, nails, and cloth in craft speech beside pharmacy. A named henna dye use in that handbook, not henna-medicine-dioscorides as the drug seat and not turmeric body-stain as a substitute.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
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Sumac is used in Dye.
Dioscorides’ De Materia Medica treats sumac among tannin materials that darken and prepare skins and cloth as well as drugs. A named sumac dye/tannin use in that handbook, not sumac-medicine-dioscorides as the astringent drug seat alone.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Alkanet is used in Dye.
Dioscorides’ De Materia Medica notes alkanet / anchusa root among materials that impart red color to oils, waxes, and related craft preparations. A named alkanet dye use in that handbook, not alkanet-medicine-dioscorides as the drug seat and not madder-dye-pliny as a different root.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Safflower is used in Dye.
Dioscorides’ De Materia Medica notes safflower / knēkos among plants used to color cloth and foods yellow-to-red beside drug speech. A named safflower dye use in that handbook, not saffron-dye-pliny as the crocus stigma and not safflower-medicine-dioscorides as the drug seat alone.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Cutch is used in Dye.
Dioscorides’ De Materia Medica neighborhood of lycium / astringent Asian extracts includes materials used to brown and tan as well as to drug. A named cutch dye/tannin use in that handbook speech, not cutch-medicine-dioscorides as the pharmacy seat alone.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
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Orchil is used in Dye.
Dioscorides’ De Materia Medica discusses sea-lichen / phykos colorants among materials that dye cloth purple-red. A named orchil dye use in that handbook neighborhood, not Tyrian purple as the murex dye already seated in Pliny and not mauveine as a modern aniline.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Lithographic Ink is historically related to Dye.
Cooley’s Ink, Lithographic seats mastic/shell-lac/wax/soap lampblack cakes rubbed down for writing on lithographic stone — litho ink speech, not letterpress alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Sympathetic Ink is historically related to Dye.
Cooley’s Ink, Sympathetic seats invisible writing fluids that appear on heat or reagent — sympathetic ink speech, not ordinary writing ink.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Indelible Ink is historically related to Dye.
Cooley’s Ink, Marking / Indelible seats nitrate-of-silver and other permanent marking inks for linen — indelible marking speech, not sympathetic invisible ink.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Copying Ink is historically related to Dye.
Cooley seats copying ink among receipt inks compounded to yield a transfer impression — copying-ink speech, not lithographic stone ink alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Printers Ink is historically related to Dye.
Cooley’s Printing Ink / Printer’s Ink seats the oil-varnish and lampblack compound for type — printers’ ink speech, not writing ink alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Aniline Ink is historically related to Dye.
Cooley seats aniline among coal-tar colour and ink receipts of the later editions — aniline colour speech, not carbon India ink alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Logwood Ink is historically related to Dye.
Cooley seats logwood among dye and ink receipts using haematoxylin wood — logwood ink/dye speech, not aniline alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Blue-Black Ink is historically related to Dye.
Cooley seats blue-black writing ink among iron-gall and logwood compounds — blue-black ink speech, not India ink cake alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Litmus is historically related to Dye.
Mollett’s Dictionary seats litmus among lichen colour tests — a dye that shifts red or blue with acid and alkali. Litmus historically related to dye as colourant craft, not a free paper strip alone and not indigo as cloth blue.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Sap green is historically related to Dye.
Mollett’s Illustrated Dictionary of Words Used in Art and Archaeology seats Sap Green in the material and craft neighborhood of dye and colouring craft. Sap Green historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Turnsole is historically related to Dye.
Ure’s Dictionary of Arts seats Turnsole in the material and craft neighborhood of dye and colouring craft. Turnsole historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Bistre is historically related to Dye.
Ure’s Dictionary of Arts seats Bistre in the material and craft neighborhood of dye and colouring craft. Bistre historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Bone black is historically related to Dye.
Ure’s Dictionary of Arts seats Bone Black in the material and craft neighborhood of dye and colouring craft. Bone Black historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Camwood is historically related to Dye.
Ure’s Dictionary of Arts seats Camwood in the material and craft neighborhood of dye and colouring craft. Camwood historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Fustic is historically related to Dye.
Ure’s Dictionary of Arts seats Fustic in the material and craft neighborhood of dye and colouring craft. Fustic historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Mosaic gold is historically related to Dye.
Ure’s Dictionary of Arts seats Mosaic Gold in the material and craft neighborhood of dye and colouring craft. Mosaic Gold historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Naples yellow is historically related to Dye.
Ure’s Dictionary of Arts seats Naples yellow among manufactured yellow pigments of the workshop. Naples yellow historically related to dye/pigment yellows, not cadmium yellow alone and not orpiment.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Alizarin is historically related to Dye.
Cooley’s Cyclopædia seats alizarin among dye and colour receipts as the red colouring principle of madder used in dyeing. Alizarin historically related to dye craft, not a free chemistry slogan and not synthetic brand SKU alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Blue verditer is historically related to Dye.
Cooley’s Cyclopædia seats blue verditer among precipitated copper blues of the colour workshop. Blue verditer historically related to dye/pigment blues, not azurite as the natural carbonate alone and not ultramarine.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Brown pink is historically related to Dye.
Cooley’s Cyclopædia seats brown pink among yellow-brown lake colours of the dyer and painter. Brown pink historically related to dye/lake yellows, not dutch pink as a near twin alone and not chrome yellow.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Dutch pink is historically related to Dye.
Cooley’s Cyclopædia seats Dutch pink among yellow lake colours prepared for painting and dyeing speech. Dutch pink historically related to dye/lake yellows, not brown pink alone and not gamboge gum-resin.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Indian yellow is historically related to Dye.
Cooley’s Cyclopædia seats Indian yellow among pigment and colour receipts for painters and dyers. Indian yellow historically related to dye/pigment yellows, not a free modern paint SKU and not chrome yellow alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Magenta is historically related to Dye.
Cooley’s Cyclopædia seats magenta among aniline colour receipts for dyeing and printing. Magenta historically related to dye as a coal-tar red-violet, not a free modern brand dump and not madder alizarin alone.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Blue black is historically related to Dye.
Mollett’s Dictionary seats blue black among cool black pigments of the palette. Blue black historically related to pigment/dye blacks, not ivory black alone and not lampblack dump.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Cadmium yellow is historically related to Dye.
Mollett’s Dictionary seats cadmium yellow among bright yellow pigments of later workshop lists. Cadmium yellow historically related to pigment/dye yellows, not naples yellow alone and not orpiment.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Chinese Ink is historically related to Dye.
Mollett’s Dictionary seats Chinese ink among solid black inks of soot and glue for drawing and writing. Chinese ink historically related to dye/ink blacks, not printer’s oil ink alone and not charcoal stick dump.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Iris green is historically related to Dye.
Mollett’s Dictionary seats iris green among plant greens of older colour lists. Iris green historically related to dye/pigment greens, not verdigris copper green and not sap-green alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Indian red is historically related to Dye.
Mollett’s Dictionary seats Indian red among deep iron-oxide reds of the palette. Indian red historically related to pigment/dye reds, not venetian red alone and not hematite ore dump.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Roman ochre is historically related to Dye.
Mollett’s Dictionary seats Roman ochre among warm yellow-brown iron-earth ochres. Roman ochre historically related to pigment/dye earths, not raw sienna alone and not chrome yellow.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Rose lake is historically related to Dye.
Mollett’s Dictionary seats rose lake among transparent red lakes of the painter. Rose lake historically related to dye/lake pigments, not rose madder as a madder grade alone and not vermilion opaque red.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Venetian red is historically related to Dye.
Mollett’s Dictionary seats Venetian red among iron-oxide reds of the painter’s earths. Venetian red historically related to pigment/dye reds, not vermilion as mercury sulfide and not indian red alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Egyptian blue is historically related to Dye.
Mollett’s Dictionary seats Egyptian blue among fused copper-silicate blues of ancient and revival colour lists. Egyptian blue historically related to pigment/dye blues, not ultramarine as lapis blue and not verditer alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Turkey Red is historically related to Dye.
In Ure’s Dictionary of Arts, Manufactures, and Mines, Turkey red is dyed on yarn or cloth prepared with oil as for the Turkey-red process — oiling precedes maddering and soap brightening.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Zaffre is historically related to Dye.
In Dictionary of Arts, Manufactures, and Mines, Zaffre is kept among the working lemmas, companion to Dye.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
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Chrome yellow is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Chrome yellow is listed among the trade lemmas and sits with Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Flake white is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Flake white is named in the craft lemmas beside Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Ultramarine ash is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Ultramarine ash is listed among the trade lemmas and sits with Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Frankfort black is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Frankfort black is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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French ultramarine is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, French ultramarine is named in the craft lemmas beside Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Green verditer is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Green verditer is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Light red is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Light red is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Mars red is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Mars red is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Mars yellow is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Mars yellow is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Mineral black is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Mineral black is named in the craft lemmas beside Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Oxford ochre is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Oxford ochre is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Brown ochre is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Brown ochre is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Cobalt blue is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Cobalt blue is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Gold ochre is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Gold ochre is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Madder lake is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Madder lake is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Mountain blue is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Mountain blue is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Carbon Ink is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Carbon Ink is named in the craft lemmas beside Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Gamboge is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Gamboge is named in the craft lemmas beside Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Yellow lake is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Yellow lake is named in the craft lemmas beside Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
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Carmine is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Carmine is named in the craft lemmas beside Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
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Cochineal is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Cochineal is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
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Sepia is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Sepia is named in the craft lemmas beside Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
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Verditer is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Verditer is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Writing Ink is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Writing Ink is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Indigo is historically related to Dye.
In Cooley’s Cyclopædia of Practical Receipts, indigo is set in the dyer’s cold vat — powdered indigo is triturated, mixed with hot water and slaked lime, then stirred with green copperas to work the goods.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Madder is historically related to Dye.
In Cooley’s Cyclopædia of Practical Receipts, madder is exhausted for dye colour — boiling water draws the colouring matter, which is precipitated and worked up as alizarin for Turkey-red and print styles.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
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Logwood is historically related to Dye.
In al's Encyclopædia Britannica (11th ed.), Logwood is named in the craft lemmas beside Dye.
from Hugh Chisholm et al. · Encyclopædia Britannica (11th ed.), 1910–1911
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Sandyx is historically related to Dye.
In Agricola's De Re Metallica, Sandyx is named in the craft lemmas beside Dye.
from Georgius Agricola; Herbert Clark Hoover and Lou Henry Hoover (translation) · De Re Metallica, 1556 Latin; Hoover English 1912
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Folium is historically related to Dye.
In Theophilus’s Divers Arts, folium is the dye on the cloth itself — you cut the dyed folium cloth, steep the shreds in egg white, and temper the color from that steep.
from Theophilus Presbyter · On Divers Arts, c. early 12th century
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Nahua tradition

Cochineal is used in Dye.
The Florentine Codex treats nocheztli, the cochineal insect red, among Nahua dyestuffs and painted materials. A colonial-ethnographic dye use of the New World scale, not Mediterranean kermes and not scarlet as an English hue alone.
from Bernardino de Sahagún and Nahua collaborators · Florentine Codex, c. 1577
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Annatto is used in Dye.
Sahagún’s Florentine Codex Book 11 records achiotl (Bixa) among seed colorants used to redden food and cloth — named annatto used in Nahua dye and food-color craft. A colonial-era Nahua ethnographic dye use, not saffron, not cochineal as the scale insect already filed, and not an unfiltered pre-invasion voice.
from Bernardino de Sahagún and Nahua collaborators · Florentine Codex, c. 1577
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Indigo Dye is used in Dye.
Sahagún’s Florentine Codex Book 11 records xiuhquilitl and related indigofera blues among cloth-color plants — named indigo-dye used in Nahua vat and cloth dye craft. A colonial-era Nahua ethnographic dye use, not indigo as the already-walked pigment/plant id alone, not mayan-blue as the Maya mural composite refused here, and not an unfiltered pre-invasion voice.
from Bernardino de Sahagún and Nahua collaborators · Florentine Codex, c. 1577
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Roman religion

Aleppo Gall is used in Dye.
Pliny’s Natural History treats oak galls (galla) among ink and dyeing tanstuffs of the eastern Mediterranean gall trade. A Roman-era dye/ink use of aleppo-gall, not iron-gall-ink as the later named recipe and not oak-bark as the bark tannin kept apart here.
from Pliny the Elder · Natural History, c. 77 CE
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Hellenic religion

Walnut Hull is used in Dye.
Dioscorides’ De Materia Medica walnut chapters note the green outer pericarp / husk among preparations that darken and dye the hair, a named hull dye use beside the nut as food and medicine. A named walnut-hull in that handbook craft speech, not walnut as the already-walked tree medicine seat alone and not juglone as the later isolated brown principle.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented

Alchemy

Brazilwood is used in Dye.
Theophilus’s On Divers Arts Book I seats brasilium / brazil heartwood among red dye and lake materials for painter and dyer. A named brazilwood in that dye craft, not logwood and not brazilin as the isolated modern principle name alone.
from Theophilus Presbyter · On Divers Arts, c. early 12th century
used in · sourced · documented

European folklore

Chrome yellow is used in Dye.
Ure’s Dictionary seats Chrome yellow among calico-printing pads made from bichromate of potash with acetate or nitrate of lead, yielding lemon and other yellow shades. A named chrome-yellow in that chromate pigment-dye speech, not Prussian blue, and not bare lead chromate identity alone.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
used in · sourced · documented
Logwood is used in Dye.
Ure’s Dictionary seats LOGWOOD (campeachy / blauholz) as the dyeing wood of Haematoxylon campechianum, boiled with galls for cloth colour. A named logwood in that blue-dye wood speech, not indigo alone, and not madder.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
used in · sourced · documented
Quercitron is used in Dye.
Bancroft seats quercitron bark (quercus tinctoria) as a durable yellow dyeing drug for topical and bath yellows, comparing it with weld and fustic yellows. A named quercitron in that black-oak bark dye speech — Bancroft’s own trade yellow — not weld alone, and not old fustic.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Fustic is used in Dye.
Bancroft seats Morus tinctoria — improperly called old fustic by the English, bois jaune by the French — as a West-India yellow dyeing wood used with aluminous bases for drab and Saxon greens. A named old-fustic dyeing wood, not Rhus cotinus young fustic, and not quercitron bark.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Young Fustic is used in Dye.
Bancroft seats Rhus cotinus (Venice sumach), commonly though improperly called young fustic, as a yellow-orange dyeing shrub wood distinct from Morus tinctoria. A named young-fustic dyeing wood, not old fustic, and not leaf-sumac tannin alone.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Cudbear is used in Dye.
Bancroft seats cudbear — the Scottish lichen purple powder named from Dr. Cuthbert Gordon — among orchal/cudbear dyeing drugs employed to colour wool. A named cudbear in that lichen-purple trade speech, not Mediterranean orchil alone, and not mauveine.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Camwood is used in Dye.
Bancroft seats Camwood (pao-gabam / kambe from Sierra Leone) as an African red dyeing heartwood employed with aluminous mordants, akin to ordinary Nicaragua wood. A named camwood in that African red-wood dye speech, not barwood, and not brazilwood.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Barwood is used in Dye.
Bancroft seats Barwood from Angola as an African red dyeing wood giving yellowish-brown reds on wool and cotton with alum, often saddened with iron for Bandana-style dark grounds. A named barwood in that African red-wood dye speech, not camwood, and not peachwood.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Peachwood is used in Dye.
Bancroft seats Nicaragua or peach wood as Central American red dyeing woods of uneven quality, employed for inferior fugitive reds on the aluminous basis. A named peachwood in that Nicaragua red-wood dye speech, not Pernambuco brazilwood alone, and not camwood.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Sappanwood is used in Dye.
Bancroft seats sappan or sampfan red wood among East-Indian red dyeing woods used with aluminous mordants beside Brasil wood. A named sappanwood in that Asian brazilwood-kin dye speech, not New World brazilwood alone, and not logwood.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Butternut Dye is used in Dye.
Bancroft seats the North-American butternut tree (walnut, commonly butternut) for the use of its bark in dyeing brown colours. A named butternut-dye in that butternut-bark dye speech, not black-walnut rind alone, and not alder bark.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Morinda is used in Dye.
Bancroft seats Morinda citrifolia (aal roots) and related morinda species as red dyeing roots of Indian cloth practice. A named morinda in that aal/morinda red-root dye speech, not European madder alone, and not chay root.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Chay Root is used in Dye.
Bancroft seats chay / chaia / chayaver root (Oldenlandia umbellata) of Coromandel and Malabar as a classical South-Indian cotton red dyeing root, compared experimentally with madder. A named chay-root in that Coromandel red-root dye speech, not munjeet, and not Turkey-red process alone.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Lac dye is used in Dye.
Bancroft seats coccus lacca / lac / lacsha as the Indian lac-insect comb whose boiled colouring matter dyes cloths red, the residual mass becoming painters’ artificial lac. A named lac-dye in that lac-insect red dye speech, not shellac varnish alone, and not cochineal.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Persian berries is used in Dye.
Bancroft seats unripe berries of Rhamnus infectorius as French berries (grains d’Avignon) and Levant Turkey berries for topical yellows in calico printing on aluminous mordant — lively but fugitive beside weld or quercitron. A named persian-berries seat in that French/Turkey buckthorn-berry dye speech, not stil-de-grain lake alone, and not quercitron bark.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Sawwort is used in Dye.
Bancroft seats saw-wort (Serratula tinctoria) as a good substitute for weld, giving a bright lemon yellow of considerable durability on the aluminous basis with alum and tartar. A named sawwort in that Serratula yellow dye speech, not weld alone, and not dyers’ broom.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented
Barberry Dye is used in Dye.
Bancroft seats roots and bark of Berberis vulgaris (barberry) as communicating a fine yellow to wool without a basis, though without permanence against air or soap. A named barberry-dye in that berberine yellow dye speech, not weld, and not a bare barberry plant dump.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented

object · 32

Alum is used in Dye.
Pliny’s Natural History treats alum among mordants that fix dyes on cloth. A Roman-era dye-craft use of the astringent salt, not table salt and not a bare medicine dump alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Wool is used in Dye.
Pliny’s Natural History treats wool among the chief cloths that take mordants and dyes. A Roman-era textile use of fleece as the dyed ground, not linen alone and not generic cloth.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Linen is used in Dye.
Pliny’s Natural History treats linen among plant-fiber cloths prepared and colored in Mediterranean craft. A Roman-era textile use of flax cloth, not wool alone and not later muslin.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Silk is used in Dye.
Pliny’s Natural History treats silk among Seres cloths that enter Roman luxury dress and color. A Roman-era textile attestation of the filament cloth as a dyed luxury ground, not wool and not a Chinese loom treatise.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Lapis lazuli is used in Dye.
Pliny’s Natural History treats deep blue stones among colorants and related preparations that feed blue painting grounds. A Roman-era colorant attestation of the blue stone, not ultramarine as a later refined pigment and not sapphire as modern corundum.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Azurite is used in Dye.
Pliny’s Natural History treats blue copper carbonates among painters’ blues neighboring chrysocolla speech. A Roman-era pigment use of the deep blue carbonate, not ultramarine and not egyptian-blue frit.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Ochre is used in Dye.
Pliny’s Natural History treats ochre earths among painters’ and colorants’ iron-earths. A Roman-era pigment/dye use of ochre as a class, not red-ochre or yellow-ochre as the named species already walked in pharmacy.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Malachite is used in Dye.
Pliny’s Natural History treats malachite greens among painters’ copper greens as well as among remedies. A Roman-era pigment use of malachite, not the medicine seat already published and not verdigris as acetate green.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Hematite is used in Dye.
Pliny’s Natural History treats haematites among iron-stone reds used as colorants as well as among blood-stopping remedies. A Roman-era pigment use of hematite, not the medicine seat already published and not red-ochre as soft earth.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Cinnabar is used in Dye.
Pliny’s Natural History treats cinnabar/minium neighbors among painters’ reds as well as among metal drugs. A Roman-era pigment use of cinnabar, not the medicine seat already published and not minium as red lead alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Orpiment is used in Dye.
Pliny’s Natural History treats orpiment (auripigmentum) among arsenic-yellow pigments as well as among mineral drugs. A Roman-era pigment use of orpiment, not the medicine seat already published and not realgar as the red sulfide.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Realgar is used in Dye.
Pliny’s Natural History treats sandarach/realgar among red arsenic pigments as well as among mineral drugs. A Roman-era pigment use of realgar, not the medicine seat already published and not orpiment as the yellow sulfide.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Vitriol is used in Dye.
Pliny’s Natural History treats vitriols among mineral sulfates entering mordant and pigment neighborhoods beyond pharmacy alone. A named vitriol dye/craft use in that encyclopedia, not vitriol medicine already walked and not blue-vitriol/green-vitriol as the species alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Cerussa is used in Dye.
Pliny’s Natural History treats cerussa among white-lead pigments used in painting and related coloring craft. A named cerussa pigment use in that encyclopedia, not cerussa medicine already walked and not chalk or gypsum whites alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Litharge is used in Dye.
Pliny’s Natural History treats litharge among lead-oxide yellows entering pigment and coloring craft beside massicot neighborhoods. A named litharge pigment use in that encyclopedia, not massicot-dye-pliny as the soft form already walked and not litharge medicine as pharmacy alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Gouache is historically related to Dye.
Mollett’s Gouache seats opaque watercolour painting with body colour — gouache speech, not transparent wash alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Amadou is historically related to Dye.
Ure’s Dictionary of Arts seats Amadou in the material and craft neighborhood of dye and colouring craft. Amadou historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Inkstand is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Inkstand is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Predella is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Predella is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Reredos is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Reredos is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Tempera is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Tempera is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Gesso is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Gesso is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Realgar is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Realgar is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Garnet is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Garnet is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Sinker is historically related to Dye.
In Dictionary of Arts, Manufactures, and Mines, Sinker is kept among the working lemmas, companion to Dye.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Ochre is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Ochre is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Orpiment is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Orpiment is named in the craft lemmas beside Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Fresco is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Fresco is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Sapphire is historically related to Dye.
In Heather's Treatise on Mathematical Instruments, Sapphire is listed among the trade lemmas and sits with Dye.
from J. F. Heather · Treatise on Mathematical Instruments, 1849 (and later PD editions)
historically related to · sourced · documented
Diamond is historically related to Dye.
In Heather's Treatise on Mathematical Instruments, Diamond is named in the craft lemmas beside Dye.
from J. F. Heather · Treatise on Mathematical Instruments, 1849 (and later PD editions)
historically related to · sourced · documented
Amber is historically related to Dye.
In Brewster's A Treatise on Optics, Amber is named in the craft lemmas beside Dye.
from David Brewster · A Treatise on Optics, 1831 (and later PD editions)
historically related to · sourced · documented
Marbles is historically related to Dye.
In al's The Jewish Encyclopedia, Marbles is named in the craft lemmas beside Dye.
from Isidore Singer et al. · The Jewish Encyclopedia, 1901–1906
historically related to · sourced · documented

element · 28

Soot is used in Dye.
Pliny’s Natural History treats atramentum among blacks made from soot and related carbon for writing and painting. A Roman-era pigment use of soot-black, not charcoal as the burned-wood drug already walked and not smoke as an incense dump.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Minium is used in Dye.
Pliny’s Natural History treats minium among red lead pigments of painting as well as among related preparations. A Roman-era pigment use of minium, not the medicine seat already published and not cinnabar as mercury sulfide red.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Red ochre is used in Dye.
Pliny’s Natural History treats red ochre among painters’ iron-earth reds as well as among drying remedies. A Roman-era pigment use of red ochre, not the medicine seat already published and not sinopia as the Sinope earth already walked in dye.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Yellow ochre is used in Dye.
Pliny’s Natural History treats yellow ochre among painters’ iron-earth yellows as well as among related preparations. A Roman-era pigment use of yellow ochre, not the medicine seat already published and not orpiment as arsenic yellow.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Lampblack is used in Dye.
Pliny’s Natural History treats lamp-collected soot among atramentum blacks used for ink and pigment. A named lampblack in that encyclopedia, not unsorted flue soot alone and not ivory-black as bone char.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Verdigris is used in Dye.
Pliny’s Natural History Book 34 treats aerugo/verdigris among green copper pigments of painting and craft, beyond pharmacy alone. A named verdigris dye/pigment use in that encyclopedia, not verdigris medicine already walked and not malachite as the carbonate ore alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Massicot is used in Dye.
Pliny’s Natural History treats lead-oxide yellows among pigment materials related to litharge neighborhoods, beyond pharmacy alone. A named massicot dye/pigment use in that encyclopedia, not massicot medicine already walked and not litharge as the fused form alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Ivory black is used in Dye.
Pliny’s Natural History treats blacks made from burnt ivory and bone among atramentum pigments of ink and coloring craft. A named ivory-black pigment use in that encyclopedia, not lampblack as lamp soot already walked and not charcoal as wood char alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Copper is used in Dye.
Dioscorides’ De Materia Medica treats copper flakes, scales, and related greens among mineral colorants and eye-paint materials beside metal pharmacy. A named copper coloring use in that handbook, not copper-medicine-pliny as the drug seat and not verdigris as the already-walked green acetate alone.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Chimney soot is used in Dye.
Pliny’s Natural History treats chimney and furnace soots among black carbon colorants for writing and painting beside atramentum speech. A Roman-era pigment/dye use of chimney-soot, not bare soot as the already-walked dye id flattened into an identical claim.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Ivory black is historically related to Dye.
Ure’s Dictionary of Arts seats Ivory Black in the material and craft neighborhood of dye and colouring craft. Ivory Black historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
White lead is historically related to Dye.
Mollett’s Dictionary seats white lead among painters’ white pigments of lead carbonate. White lead historically related to pigment/dye colour stock, not a free modern titanium white and not chalk alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Red ochre is historically related to Dye.
Mollett’s Dictionary seats red ochre among iron-earth reds of painting and craft colour. Red ochre historically related to pigment/dye earths, not yellow ochre alone and not cinnabar.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Ultramarine is historically related to Dye.
In Dictionary of Arts, Manufactures, and Mines, Ultramarine is named in the craft lemmas beside Dye.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Prussian blue is historically related to Dye.
In Cooley’s Cyclopædia of Practical Receipts, Prussian blue is used among dye processes for blues — cotton and linen blacks may pass sumac, logwood, and copperas after related blue grounds.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Smalt is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Smalt is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Lampblack is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Lampblack is listed among the trade lemmas and sits with Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Size is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Size is named in the craft lemmas beside Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Yellow ochre is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Yellow ochre is listed among the trade lemmas and sits with Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Cadmium is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Cadmium is named in the craft lemmas beside Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Parchment size is historically related to Dye.
In Dictionary of Arts, Manufactures, and Mines, Parchment size is listed among the trade lemmas and sits with Dye.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Chalk is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Chalk is named in the craft lemmas beside Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
Umber is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Umber is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Peach stone black is historically related to Dye.
In Mollett's Illustrated Dictionary of Words Used in Art and Archaeology, Peach stone black is kept among the working lemmas, companion to Dye.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Putty is historically related to Dye.
In Heather's Treatise on Mathematical Instruments, Putty is kept among the working lemmas, companion to Dye.
from J. F. Heather · Treatise on Mathematical Instruments, 1849 (and later PD editions)
historically related to · sourced · documented
Whiting is historically related to Dye.
In Heather's Treatise on Mathematical Instruments, Whiting is kept among the working lemmas, companion to Dye.
from J. F. Heather · Treatise on Mathematical Instruments, 1849 (and later PD editions)
historically related to · sourced · documented
Clinker is historically related to Dye.
In Burnell's Hobson-Jobson, Clinker is kept among the working lemmas, companion to Dye.
from Henry Yule and A. C. Burnell (ed. William Crooke) · Hobson-Jobson, 1886 (new ed. 1903)
historically related to · sourced · documented

European folklore

Prussian blue is used in Dye.
Ure’s Dictionary seats PRUSSIAN BLUE and prussiate of potash as important chemical manufactures — ferrocyanide blue used among dyeing and pigment colours. A named prussian-blue in that blue manufacture speech, not chrome yellow, and not indigo alone.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
used in · sourced · documented

material · 14

Oak gall is used in Dye.
Dioscorides’ De Materia Medica treats oak-galls among tannin materials that blacken and fix dark colors with iron as well as serving as drugs. A named oak-gall dye/tannin use in that handbook, not oak-gall-medicine-dioscorides as the astringent drug seat alone.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Pastel is historically related to Dye.
Mollett’s Pastel seats the coloured crayon drawing medium — pastel speech, not a soft colour adjective alone.
from J. W. Mollett · Illustrated Dictionary of Words Used in Art and Archaeology, 1883
historically related to · sourced · documented
Cambric is historically related to Dye.
Ure’s Dictionary of Arts seats Cambric in the material and craft neighborhood of dye and colouring craft. Cambric historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Oak Bark is historically related to Dye.
Ure’s Dictionary of Arts seats oak bark among tannin materials of dyeing and leather work. Oak bark historically related to dye/tannin craft, not oak timber as furniture wood alone and not sumac tannin alone.
from Andrew Ure · Dictionary of Arts, Manufactures, and Mines, 1839 (and later PD editions)
historically related to · sourced · documented
Bronze Powder is historically related to Dye.
Cooley’s Cyclopædia seats bronze powder among metallic colouring powders for printing and decoration. Bronze powder historically related to dye/colouring craft as metal dust colour, not cast bronze ware alone and not gold leaf.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Gilding Metal is historically related to Dye.
Cooley’s Cyclopædia of Practical Receipts seats Gilding Metal in the material and craft neighborhood of dye and colouring craft. Gilding Metal historically related to dye by that shared workshop path, not a forced identity merge and not a modern brand SKU dump.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Black chalk is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Black chalk is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Black Oxide is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Black Oxide is listed among the trade lemmas and sits with Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented
Smalti is historically related to Dye.
In Merrifield's Original Treatises on the Arts of Painting, Smalti is kept among the working lemmas, companion to Dye.
from Mary Philadelphia Merrifield · Original Treatises on the Arts of Painting, 1849
historically related to · sourced · documented
White chalk is historically related to Dye.
In Elder's Natural History, White chalk is named in the craft lemmas beside Dye.
from Pliny the Elder · Natural History, c. 77 CE
historically related to · sourced · documented
Canvas is historically related to Dye.
In Heather's Treatise on Mathematical Instruments, Canvas is named in the craft lemmas beside Dye.
from J. F. Heather · Treatise on Mathematical Instruments, 1849 (and later PD editions)
historically related to · sourced · documented

Roman religion

Oak Bark is used in Dye.
Pliny’s Natural History treats oak bark among tanning and brown dye materials of leather and cloth craft. A Roman-era dye/tan use of oak-bark, not oak as the tree alone and not aleppo-gall as the gall nut alone.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented

Hellenic religion

Valonia is used in Dye.
Dioscorides’ De Materia Medica oak and acorn (βάλανος) neighborhoods seat astringent cup and acorn preparations continuous with later Mediterranean leather-and-cloth browns from large oak cups. A named valonia in that tannin speech under later Levant/Venetian cup naming, not oak-gall or aleppo-gall as insect galls already walked and not oak-bark as the Pliny LB-01 bark seat.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented

European folklore

Alder Bark is used in Dye.
Bancroft seats alder bark among astringent dyeing barks used with logwood and for brownish yellows on cloth, listing it with gall-nuts and walnut rinds among historical dye materials. A named alder-bark in that alder-bark dye speech, not oak-gall alone, and not butternut bark.
from Edward Bancroft · Philosophy of Permanent Colours, 1813 (and later PD editions)
used in · sourced · documented

plant · 4

Woad is used in Dye.
Caesar says Britons stained themselves with vitrum. A Roman report of a dye-practice, not a pan-Celtic blue theology.
from Julius Caesar · Gallic War, c. 50s BCE
used in · sourced · culturally specific
Saffron is used in Dye.
Pliny’s Natural History treats saffron among yellow colorants for cloth and related dyeing speech. A named saffron dye use in that encyclopedia, not weld as the Reseda yellow already walked and not generic yellow as a hue word.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Rose is used in Dye.
Dioscorides’ De Materia Medica notes rose among flowers whose juice and preparations also color unguents and related craft media beside pharmacy. A named rose coloring use in that handbook, not rose-medicine-pliny as the already-stored drug claim and not madder as a root red.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented
Oak is used in Dye.
Dioscorides’ De Materia Medica treats oak and its galls among tannin sources that darken leather and cloth preparations. A named oak dye/tannin use in that handbook, not oak-medicine-pliny as the pharmacy seat and not oak-gall as the separated gall material filed beside it.
from Pedanius Dioscorides · De Materia Medica, 1st century CE
used in · sourced · documented

mineral · 3

Chrysocolla is used in Dye.
Pliny’s Natural History treats chrysocolla among greens used in painting as well as in eye-salves. A Roman-era pigment use of chrysocolla, not the medicine seat already published and not malachite as the banded carbonate.
from Pliny the Elder · Natural History, c. 77 CE
used in · sourced · documented
Spinel is historically related to Dye.
In Beck's The Draper’s Dictionary, Spinel is named in the craft lemmas beside Dye.
from S. William Beck · The Draper’s Dictionary, 1882
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Labradorite is historically related to Dye.
In Wood's The Nuttall Encyclopædia, Labradorite is listed among the trade lemmas and sits with Dye.
from Rev. James Wood (ed.) · The Nuttall Encyclopædia, 1907 (Gutenberg #12342)
historically related to · sourced · documented

animal · 1

Turkey is historically related to Dye.
In Beeton's Book of Household Management, Turkey is named in the craft lemmas beside Dye.
from Isabella Beeton · Book of Household Management, 1861
historically related to · sourced · documented

place · 1

Lake is historically related to Dye.
In Cooley's Cyclopædia of Practical Receipts, Lake is kept among the working lemmas, companion to Dye.
from Arnold James Cooley · Cyclopædia of Practical Receipts, 6th ed. (PD; Gutenberg #39733 / #41957)
historically related to · sourced · documented