tradition

Norse tradition

Traditions

The religious and narrative world of pre-Christian Scandinavia, known mainly through later written sources.

Also known as Norse · Old Norse religion

Meetings in this tradition's context

object · 31

Gungnir is sacred to Odin.
Snorri’s Gylfaginning names Gungnir as Odin’s spear. A named weapon of that god in the prose, not Mjolnir, and not a generic staff.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Draupnir is sacred to Odin.
Snorri’s Gylfaginning names Draupnir as Odin’s dripping gold ring. A named ring of that god, not Andvaranaut, and not a generic ring.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Hliðskjálf is sacred to Odin.
Snorri’s Gylfaginning names Hliðskjálf as the high seat from which Odin looks over the worlds. A named seat of that god, not a generic throne, and not Valhalla as a hall-dump.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Chariot appears in Asgard.
Snorri’s Gylfaginning seats Thor’s goat-drawn chariot among the traveling gear of the Aesir’s enclosed home. A named chariot in that prose, not wagon as the heavier load-cart and not every solar-disk dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Cauldron appears in Asgard.
Hymiskviða in the Poetic Edda has Thor and Týr fetch Hymir’s brewing-cauldron so the gods may hold their ale-feast. A named cauldron brought into the gods’ feast-economy, not Eldhrímnir as Valhalla’s cook-kettle alone and not every Celtic revival-pot dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Cauldron appears in Valhalla.
Snorri’s Gylfaginning names Eldhrímnir as the cauldron in which Andhrímnir cooks Sæhrímnir for the einherjar in Valhalla. A named cook-cauldron of that hall, not Hymir’s brewing-kettle already walked to Asgard and not every pot dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Altar is used in Offerings.
Eddic blot speech in the Poetic Edda seats the hörgr as the place-instrument of offering and slaughter, not a bare presence mark alone. A named ritual use of the altar-kind, not KF incense churn and not every gift-table dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Torch is used in Rite.
Eddic night and feast sequences in the Poetic Edda employ open brands as lighting instruments of hall rite and gathering, not mere scenery. A named ritual use of the torch, not KF incense churn and not Demeter’s torch-search alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Cauldron is used in Rite.
Hymiskviða in the Poetic Edda makes Hymir’s cauldron the brewing vessel required for the gods’ ale-feast rite. A named ritual use of the cauldron, not Eldhrímnir’s Valhalla cook-job alone and not KF incense churn.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Veil is used in Wedding.
Þrymskviða in the Poetic Edda uses the bridal veil as disguise-gear in the false wedding that recovers the hammer. A named wedding-instrument use of the veil, not every mystery-cloth dump and not the appears_in tradition seat alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Key is used in Wedding.
Þrymskviða in the Poetic Edda hangs the bride’s keys on the false bride as wedding-house gear in the hammer-recovery feast. A named wedding-instrument use of the key, not lock-hardware type-names and not the appears_in tradition seat alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Linen is used in Wedding.
Þrymskviða in the Poetic Edda seats linen bridal cloth among the woman’s dress prepared for the false wedding. A named wedding-instrument use of linen, not wool as fleece cloth and not the appears_in tradition seat alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Mjolnir is sacred to Thor.
Þrymskviða in the Poetic Edda stages the recovery of Mjölnir as Þórr’s own hammer, without which his might is mocked. A dedicated hammer-to-Thor cult/gear claim in that poem, not a carpenter’s hammer and not every thunder-weapon.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
sacred to · sourced · documented
Brisingamen is sacred to Freyja.
Þrymskviða in the Poetic Edda names Brísingamen as Freyja’s necklace lent for the false bride. A dedicated necklace-to-Freyja claim in that poem, not a generic charm and not every golden torque.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
sacred to · sourced · documented
Megingjord is sacred to Thor.
Snorri’s Gylfaginning names Megingjörð as the strength-belt Thor girds when he goes to fight. A named belt dedicated to that god’s might, not jarngreipr as the gloves alone and not a bare clothing dump.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Jarngreipr is sacred to Thor.
Snorri’s Gylfaginning names Járngreipr as the iron gloves Thor needs to grip Mjöllnir. A named glove-pair dedicated to that god’s striking, not megingjord as the belt alone and not bare iron kind.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Skidbladnir is sacred to Freyr.
Snorri’s Gylfaginning seats Skíðblaðnir among the folding ship the dwarfs make for Freyr, always with a fair wind. A named ship dedicated to that Vanir god, not naglfar as the nail-ship of ruin and not a bare boat dump.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Throne is sacred to Odin.
Snorri’s Gylfaginning seats Hliðskjálf as the high-seat from which Odin sees through all worlds. A named throne dedicated to that god’s seeing, not throne→appears_in→norse as the kind walk alone and not hlidskjalf as the named seat object alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Ring is sacred to Odin.
Snorri’s Gylfaginning seats Draupnir among Odin’s gold ring that drips eight new rings each ninth night. A named ring dedicated to that god, not ring→appears_in→norse as the kind walk alone and not draupnir→sacred_to→odin as the named-object edge alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Mistilteinn is used in Death of Baldr.
Snorri’s Gylfaginning names the mistletoe weapon in Baldr’s death among the gods’ games. A named dart used in that episode, not mistilteinn→appears_in→norse alone and not the plant kind as a second id.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented
Gleipnir is used in Binding of Fenrir.
Snorri’s Gylfaginning has the gods bind Fenrir with Gleipnir, the soft fetter the dwarfs make. A named fetter used in that binding episode, not gleipnir→appears_in→norse alone and not iron as the failed fetters alone.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented
Hringhorni is used in Death of Baldr.
Snorri’s Gylfaginning has Baldr’s ship Hringhorni bear his funeral pyre to the sea. A named ship used in that death’s rites, not hringhorni→appears_in→norse alone and not naglfar as the ruin-ship.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented
Naglfar appears in Ragnarök.
Snorri’s Gylfaginning launches Naglfar, the nail-ship, among the ruin’s fleets at Ragnarök. A named ship appearing in that episode, not naglfar→appears_in→norse alone and not Hringhorni as Baldr’s funeral ship.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Snare appears in Binding of Fenrir.
Snorri’s Gylfaginning has the gods bind Fenrir with a thin fetter that looks like a soft ribbon or snare before it holds. A named snare-kind in that binding speech, not gleipnir as the named fetter alone and not snare as a hunter’s noose dump alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Ankle boot appears in Ragnarök.
Snorri’s Gylfaginning seats Víðarr among the thick shoe assembled from leftover leather scraps for the last battle. A named ankle-boot kind in that ruin speech, not helskor as later Hel-shoes and not a bare shoe dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Beard comb appears in Binding of Fenrir.
Snorri’s Gylfaginning names the beard of a woman among Gleipnir’s impossible ingredients at Fenrir’s binding. A named beard-comb kind beside that beard-speech, not gleipnir as the named fetter alone and not a bare grooming dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Yardarm appears in Naglfar.
Snorri’s Gylfaginning launches Naglfar among the ruin’s fleets — a named yardarm kind among that nail-ship’s spar speech. Not mast as Hringhorni’s upright alone and not sail as Skíðblaðnir’s cloth alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Cistern is used in Well.
Snorri’s Gylfaginning seats the waters held at Urðarbrunnr, Mímisbrunnr, and Hvergelmir — a named cistern-kind used in that well-holding speech. Not spring-water as rising liquor alone and not well as the place already walked.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented
Andiron appears in Valhalla.
Snorri’s Gylfaginning seats the einherjar’s feast where Andhrímnir cooks over the hall fire. A named andiron-kind among that hearth furniture, not ladle as serving gear alone and not spit as a roasting-rod dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Breastplate appears in Valhalla.
Snorri’s Gylfaginning seats the einherjar arming each day from Valhalla for the field and returning to feast. A named breastplate-kind in that hall’s war-gear speech, not baldric as a belt alone and not armor as a bare class dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Chalice appears in Valhalla.
Snorri’s Gylfaginning seats the einherjar drinking in Valhalla from the mead of Heiðrún. A named chalice-kind in that hall feast, not cup as the ordinary vessel already walked and not plate as table-gear alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

deity · 21

Odin is associated with Knowledge.
Snorri’s Odin sends Huginn (“thought”) and Muninn (“memory”) to gather news. The knowledge is reconnaissance, not a modern idea of inner wisdom.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Odin is associated with Death.
Snorri’s Odin receives the slain and is concerned with the dead of battle. That is a war-god’s economy of death, not a generic grim reaper.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · partially sourced · documented
Odin is associated with Tree.
Snorri describes the ash Yggdrasil as the world-tree among whose roots the gods hold court. Odin’s name is later tied to that tree; the pairing is Norse, not a universal axis.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Odin is associated with Prophecy.
Snorri’s frame includes questions about the world’s course and ending. Odin’s hunger for news is not the same as a Greek oracle’s seated answer.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · partially sourced · documented
Odin is associated with Rune.
Hávamál has Odin take up runes. The knowledge-cost is a Norse poetic claim alongside Snorri’s ravens.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
associated with · sourced · documented
Odin is associated with Memory.
Muninn is Memory in Snorri’s household of ravens. The memory is a scout.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Thor appears in Asgard.
Lokasenna, Þrymskviða, and neighboring Poetic Edda god-poems seat Þórr among the Aesir at home before and after journeys. A named presence of Thor in Asgard speech, not Olympus and not Midgard alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Loki appears in Asgard.
Lokasenna in the Poetic Edda stages Loki inside the Aesir hall among the gods he insults. A named presence of Loki in Asgard speech, not a generic mischief dump and not Útgarðr.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Frigg appears in Asgard.
Lokasenna and Völuspá neighbors in the Poetic Edda seat Frigg among the Aesir household. A named presence of Frigg in Asgard speech, not Freyja’s field and not a generic queen dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Freyja appears in Asgard.
Þrymskviða and Lokasenna in the Poetic Edda seat Freyja among the Aesir company even as a Vanir goddess. A named presence of Freyja in Asgard speech, not Fólkvangr as her slain-field alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Freyja appears in Fólkvangr.
Grímnismál in the Poetic Edda assigns Fólkvangr to Freyja and the slain share she receives. A named presence of Freyja in Fólkvangr, not Valhalla as Óðinn’s hall and not a meadow dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Freyr appears in Álfheim.
Grímnismál in the Poetic Edda gives Álfheim to Freyr as a tooth-gift in youth. A named presence of Freyr in Álfheim, not Freyja and not Svartálfaheim.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Hel appears in Helheim.
Baldrs draumar and Völuspá in the Poetic Edda seat Hel in the dead-realm that shares her name; helheim is the published place endpoint for that realm. A named presence of Hel in Helheim speech, not Christian hell and not underworld as a bare concept alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Odin appears in Asgard.
Grímnismál, Lokasenna, and neighboring Poetic Edda god-poems seat Óðinn among the Aesir home. A named presence of Odin in Asgard, not Valhalla as the slain-hall alone and not a generic sky-god dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Odin appears in Valhalla.
Grímnismál in the Poetic Edda seats Óðinn as host of Valhöll among the slain. A named presence of Odin in Valhalla, not Fólkvangr as Freyja’s field and not Asgard as the wider enclosure alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Thor appears in Jötunheim.
Hymiskviða and Þrymskviða in the Poetic Edda seat Þórr’s journeys among giant-home roads and halls. A named presence of Thor in Jötunheim speech, not Útgarðr as the Gylfaginning court and not Asgard as home alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Thor appears in Útgarðr.
Snorri’s Gylfaginning takes Thor into Útgarðr for the contests with Útgarða-Loki. A named god appearing in that outer court, not thor→appears_in→jotunheim as the PE wider giant-land seat and not loki as his companion alone.
from Snorri Sturluson · Gylfaginning, c. 1220
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Loki appears in Útgarðr.
Snorri’s Gylfaginning takes Loki into Útgarðr beside Thor for the eating and racing contests. A named figure appearing in that outer court, not loki→appears_in→asgard as the PE hall seat and not thor as his companion alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Thor appears in Midgard.
Snorri’s Gylfaginning seats Thor as the defender who strides Midgard against giants and the Midgard Serpent. A named god appearing in the human enclosure, not midgard→appears_in→norse as the place tradition seat alone and not jormungandr as the serpent alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Freyr appears in Vanaheim.
Snorri’s Gylfaginning seats Freyr among the Vanir and Vanaheim speech of that cosmography. A named god appearing in the Vanir home-world, not freyr→appears_in→alfheim as the PE light-elf gift seat alone and not Freyja as his sister.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Odin appears in Hliðskjálf.
Snorri’s Gylfaginning has Odin sit in Hliðskjálf to see through all worlds. A named god appearing in that high-seat, not hlidskjalf→sacred_to→odin as the object dedication alone and not odin→appears_in→asgard as the PE hall seat alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

place · 15

Well is associated with Tree.
Snorri’s ash stands over wells. The pairing is that prose’s architecture, not a universal tree-and-spring.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Well is associated with Knowledge.
Snorri’s Mímisbrunnr is a well of wisdom won at a cost. The knowledge is a Norse drink, not a Hermetic treatise.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · partially sourced · documented
Fólkvangr is sacred to Freyja.
Snorri’s Gylfaginning seats Fólkvangr as Freyja’s field where she chooses half the slain. A named place dedicated to that goddess, not valhalla as Odin’s hall and not freyja→appears_in→folkvangr as the PE seat alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Helheim is sacred to Hel.
Snorri’s Gylfaginning allots Hel the realm of the dead that shares her name and rule. A named realm dedicated to that being, not Christian hell under a Norse label and not hel→appears_in→helheim as the PE seat alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Valhalla is sacred to Odin.
Snorri’s Gylfaginning seats Valhalla as Odin’s hall of the einherjar under his choosing. A named hall dedicated to that god, not folkvangr as Freyja’s share and not odin→appears_in→valhalla as the PE seat alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Muspelheim appears in Ragnarök.
Snorri’s Gylfaginning has Surtr lead Muspell’s sons to burn the world at Ragnarök. A named fire-realm appearing in that episode, not muspelheim→appears_in→norse alone and not fire kind as a second id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Ginnungagap appears in Gylfaginning.
Snorri’s Gylfaginning opens cosmogony in Ginnungagap before Ymir and the world’s shaping. A named void-place appearing in that prose book, not ginnungagap→appears_in→norse alone and not void kind as a second id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Útgarðr appears in Gylfaginning.
Snorri’s Gylfaginning is the prose book that stages the Útgarða-Loki journey. A named court appearing in that corpus, not utgard→appears_in→norse alone and not a Poetic Edda lay seat.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Audience Hall appears in Asgard.
Snorri’s Gylfaginning receives Gangleri into the Asgard hall where the High ones answer his questioning. A named audience-hall in that gods’ home, not throne-room as the seat chamber alone and not mead-hall as Valhalla’s feast-house alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Court appears in Útgarðr.
Snorri’s Gylfaginning seats Útgarðr as the outer enclosure-court of Útgarða-Loki where the contests are held. A named court in that outer garth, not courtyard as an open yard alone and not jotunheim as the wider giant-land already walked under PE.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Long Hall appears in Asgard.
Snorri’s Gylfaginning seats the gods in long communal halls of Asgard for counsel and household speech. A named long-hall in that gods’ home, not mead-hall as Valhalla’s feast-house alone and not longhouse as an archaeology dwelling dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Moot Hall appears in Asgard.
Snorri’s Gylfaginning has the gods sit indoors for moot and counsel in Asgard. A named moot-hall in that gods’ home, not thingstead as open ground alone and not senate-house as a Roman flatten.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Glacier appears in Niflheim.
Snorri’s Gylfaginning seats Niflheim among persistent ice and cold that feed the Élivágar and the gap. A named glacier-kind in that ice-world speech, not ice as the solid element already walked and not fjord as a drowned trough dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Farmyard appears in Asgard.
Snorri’s Gylfaginning keeps goats, boars, and household stock speech around the gods’ home yards in Asgard. A named farmyard in that gods’ home, not courtyard as an open court alone and not Folkvangr as Freyja’s field alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Tundra appears in Niflheim.
Snorri’s Gylfaginning seats Niflheim among cold waste before the world’s shaping. A named tundra-kind in that ice-world speech, not glacier as moving ice alone and not fen as a wetland dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

word · 14

Rune is sacred to Odin.
Hávamál has Odin hanging and taking up runes. The knowledge is a costly counsel, not Thoth’s scribal office.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
sacred to · sourced · documented
Rune is associated with Knowledge.
In Old Norse a rún can be a secret or a piece of advice as well as a letter. The double job is the language’s, not a later occult alphabet.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
associated with · partially sourced · documented
Boast is used in Flyting.
Hárbarðsljóð and Lokasenna in the Poetic Edda seat boast-speech inside ritualized insult-exchange. A named use of boast in flyting, not brag as a synonym dump and not every tavern swagger.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Contest Speech is used in Verse.
Vafþrúðnismál and Alvíssmál in the Poetic Edda stage wisdom-contest dialogue carried in verse. A named use of contest-speech in verse, not flyting as insult alone and not a quiz-show dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Curse Formula is used in Rite.
Skírnismál in the Poetic Edda seats ordered curse-formula speech among coercion and threat rite. A named use of curse-formula in rite, not curse as the broader harm-speech already walked and not a hex-app dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Wedding Vow is used in Wedding.
Þrymskviða in the Poetic Edda stages bridal and wedding-vow speech in the false Freyja wedding. A named use of wedding-vow in wedding, not vow as general binding speech and not every marriage contract.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Oral Formula is used in Verse.
Poetic Edda lays reuse oral-formula phrasing inside alliterative verse composition. A named use of oral-formula in verse, not formulaic-epithet as the name-tag alone and not a plagiarism dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Grinding Song is used in Verse.
Grottasöngr in the Poetic Edda seats the mill-maids’ grinding-song as verse that turns the quern and speaks fate. A named use of grinding-song in verse, not work-song as broader labor chant alone and not a kitchen playlist dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Work Song is used in Verse.
Grottasöngr and neighboring Poetic Edda labor speech seat work-song as verse sung over forced mill-work. A named use of work-song in verse, not grinding-song as the mill-specific lay alone and not a factory anthem dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Satire is used in Flyting.
Lokasenna and Hárbarðsljóð in the Poetic Edda seat satire inside ritualized insult-exchange — gods and heroes mocked by turn. A named use of satire in flyting, not comedy as stage genre and not a modern roast dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Repartee is used in Flyting.
Lokasenna and Hárbarðsljóð in the Poetic Edda stage rapid repartee — thrust and counter — inside flyting exchange. A named use of repartee in flyting, not banter as lighter hall talk alone and not a sitcom dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Keen is used in Elegy.
Guðrúnarkviða and neighboring Poetic Edda heroic laments seat keen — sharp mourning cry — inside elegiac verse for the slain. A named use of keen in elegy, not keening as the broader wail craft already walked and not Irish caoineadh as the only home.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Monologue is used in Verse.
Hávamál, Völuspá, and neighboring Poetic Edda lays seat extended monologue as verse spoken by one voice across many stanzas. A named use of monologue in verse, not dialogue as multi-speaker exchange already walked and not a stage soliloquy dump alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented
Banter is used in Flyting.
Hárbarðsljóð in the Poetic Edda seats lighter banter-turns inside the ferry-man’s insult contest before the blows harden. A named use of banter in flyting, not repartee as sharp counter alone and not idle chatter dump.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
used in · sourced · documented

concept · 8

Writing contains Rune.
Runes are one historical script. They are letters before they are later occult tokens.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
contains · partially sourced · documented
Memory is sacred to Odin.
Snorri names one of Odin’s ravens Muninn, Memory. The memory is a scout that might not return, not a modern psychology.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Memory is associated with Raven.
Huginn and Muninn are ravens with jobs in thought and memory. The bird is the vehicle of that Norse household, not a folk omen of death.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Memory is connected to Knowledge.
What is remembered can be used as knowledge. Forgetting is the risk Snorri’s Odin names when he worries Muninn might not come back.
from Snorri Sturluson · Gylfaginning, c. 1220
connected to · partially sourced · documented
Knowledge is connected to Memory.
What cannot be remembered cannot be used as knowledge. Snorri’s worry about Muninn is one local picture of that risk.
from Snorri Sturluson · Gylfaginning, c. 1220
connected to · partially sourced · documented
Odin’s self-hanging appears in Poetic Edda.
The self-hanging rune-winning episode is carried in Hávamál inside the Poetic Edda. A named episode’s presence in that corpus, not yggdrasil alone and not a second tradition-membership pad.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Mead of poetry appears in Poetic Edda.
The poetic-mead winning is carried in Hávamál inside the Poetic Edda. A named episode’s presence in that corpus, not a Skáldskaparmál-only invent and not Óðrerir alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Sigurd and Fafnir appears in Poetic Edda.
The Sigurðr–Fáfnir slaying and heart-taste counsel is carried in Fáfnismál inside the Poetic Edda. A named episode’s presence in that corpus, not Völsunga saga as a different book.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented

being · 6

Einherjar appears in Valhalla.
Grímnismál and Völuspá neighbors in the Poetic Edda seat the einherjar as the hall-dead who feast in Valhöll. A named presence of einherjar in Valhalla, not berserker as living rage-band and not valkyrie as chooser alone.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Valkyrie appears in Valhalla.
Grímnismál and Völuspá in the Poetic Edda seat valkyrjur bearing the slain toward the hall. A named presence of valkyrie in Valhalla speech, not norn as fate-woman and not angel.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Einherjar is sacred to Odin.
Snorri’s Gylfaginning seats the einherjar as the slain host Odin gathers for the last battle. A named host dedicated to that god, not valkyrie as the choosers alone and not einherjar→appears_in→valhalla as the PE hall seat alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Fenrir appears in Ragnarök.
Snorri’s Gylfaginning has Fenrir break free and swallow Odin at Ragnarök before Víðarr’s vengeance. A named wolf appearing in that episode, not fenrir→appears_in→norse alone and not the binding episode as a second id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Jörmungandr appears in Ragnarök.
Snorri’s Gylfaginning has the Midgard Serpent rise and poison the sky at Ragnarök, meeting Thor in mutual death. A named serpent appearing in that episode, not jormungandr→appears_in→norse alone and not serpent kind as a second id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Draugr is historically related to Death.
Keightley seats the draugr among Norse undead mound-dwellers Draugr historically related to death and the dead, not a free synonym dump and not a forced identity merge.
from Thomas Keightley · The Fairy Mythology, 1828 (enlarged PD eds. mid-19th c.)
historically related to · sourced · documented

element · 6

Thunder is sacred to Thor.
Snorri’s Gylfaginning seats Thor among the thunder of that gods’ household, chariot and hammer sounding across the sky. A named thunder dedicated to that god, not thunder→appears_in→norse as the kind walk alone and not Zeus as a Greek twin.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Lightning is sacred to Thor.
Snorri’s Gylfaginning ties Thor’s striking and sky-fire to the same household weather as his thunder. A named lightning dedicated to that god, not thunder as the sound alone and not a bare electricity dump.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Iron is used in Binding of Fenrir.
Snorri’s Gylfaginning has the gods first try iron fetters (Leyding, Dromi) on Fenrir before Gleipnir. A named iron used in that binding attempt, not iron→appears_in→norse as kind alone and not gleipnir as the soft fetter that finally holds.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented
Melt water appears in Ginnungagap.
Snorri’s Gylfaginning has the melting of rime in Ginnungagap yield the drops from which Ymir forms. A named melt-water in that cosmogony, not ice-water as a chilled drink cut alone and not snow-water as soft snowmelt alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Ice water appears in Niflheim.
Snorri’s Gylfaginning seats Niflheim among ice and cold rivers whose freeze and thaw feed the gap. A named ice-water in that ice-world speech, not melt-water as the gap’s living drops alone and not ice as the solid kind already walked.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Cast iron is used in Binding of Fenrir.
Snorri’s Gylfaginning has the gods first try hard iron fetters on Fenrir before Gleipnir. A named cast-iron used in that failed binding attempt, not iron as the element already walked and not gleipnir as the soft fetter that holds.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented

animal · 5

Raven is sacred to Odin.
In Norse tradition Odin keeps two ravens, Huginn and Muninn, who fly the world and return with news. The bird is a working companion of that god, not a generic emblem of wisdom.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Goat is sacred to Thor.
Snorri’s Gylfaginning seats Thor’s chariot among goats that pull him and can be slain and revived for food. A named goat dedicated to that god’s travel, not goat→appears_in→norse as the kind walk alone and not Heiðrún as Valhalla’s goat.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Cat is sacred to Freyja.
Snorri’s Gylfaginning has Freyja’s chariot drawn by cats. A named animal dedicated to that goddess’s riding, not cat→appears_in→norse as the kind walk alone and not Freyr’s boar under a sibling flatten.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Wolf is sacred to Odin.
Snorri’s Gylfaginning seats Geri and Freki as the wolves Odin feeds at his table while he lives on wine. A named wolf dedicated to that god’s household, not fenrir as the bound foe and not wolf→appears_in→norse as a bare kind if present.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented
Horse is sacred to Odin.
Snorri’s Gylfaginning seats Sleipnir as Odin’s eight-legged horse among the gods’ mounts. A named horse dedicated to that god, not horse→appears_in→norse as the kind walk alone and not eight as the leg-count alone.
from Snorri Sturluson · Gylfaginning, c. 1220
sacred to · sourced · documented

number · 4

Three appears in Fate.
Snorri’s Gylfaginning names three Norns at Urðarbrunnr who allot fate. The triplicity is Norse mythic allotment, not Pausanias’s Greek cult report and not Yggdrasil’s three roots.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Five hundred appears in Valhalla.
Snorri’s Gylfaginning numbers Valhalla’s doors at five hundred and forty. A named five-hundred tally in that hall speech, not hundred as the scale already walked and not fifty as a bare half-dump.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Forty appears in Valhalla.
Snorri’s Gylfaginning finishes Valhalla’s door count as five hundred and forty. A named forty in that hall tally, not forty as a biblical wilderness dump alone and not five-hundred as the leading hundreds alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Eight hundred appears in Valhalla.
Snorri’s Gylfaginning has each Valhalla door wide enough for eight hundred einherjar to walk abreast. A named eight-hundred tally in that hall speech, not eight as Sleipnir’s legs alone and not hundred as the scale alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

plant · 4

Tree is associated with Three.
Snorri gives Yggdrasil three roots reaching toward different worlds. The three is a structural count in that prose, not the Greek Moirai.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · sourced · documented
Tree is associated with Underworld.
One of Yggdrasil’s roots, in Snorri, reaches toward the dead. The below is a Norse below.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · partially sourced · documented
Tree is associated with Death.
The world-tree stands over wells and the dead as Snorri arranges them. The tree is not itself a tomb.
from Snorri Sturluson · Gylfaginning, c. 1220
associated with · partially sourced · documented
Mistletoe is used in Death of Baldr.
Snorri’s Gylfaginning has the mistletoe become the dart that kills Baldr when Höðr casts it. A named plant used in that death episode, not mistletoe→appears_in→norse as tradition kind alone and not Mistilteinn as the named weapon id alone.
from Snorri Sturluson · Gylfaginning, c. 1220
used in · sourced · documented

episode · 3

Death of Baldr appears in Gylfaginning.
Snorri’s Gylfaginning narrates Baldr’s death, the mistletoe dart, and the funeral ship inside its framed questioning. A named episode appearing in that prose book, not death-of-baldr→appears_in→norse alone and not the Poetic Edda’s Baldrs draumar as a second corpus.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Binding of Fenrir appears in Gylfaginning.
Snorri’s Gylfaginning narrates the binding of Fenrir with Gleipnir inside its framed questioning. A named episode appearing in that prose book, not binding-of-fenrir→appears_in→norse alone and not the ruin swallowing as a second episode id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Ragnarök appears in Gylfaginning.
Snorri’s Gylfaginning gives the long prose telling of Ragnarök’s signs, battle, and aftermath. A named episode appearing in that prose book, not ragnarok→appears_in→norse alone and not Völuspá as the verse twin alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

symbol · 3

Bridge appears in Asgard.
Snorri’s Gylfaginning has the gods ride Bifröst, the bridge, into Ásgarðr. A named bridge appearing at that gods’ home, not bridge→appears_in→norse as tradition kind alone and not the rainbow folk-name alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Bridge appears in Ragnarök.
Snorri’s Gylfaginning has Bifröst break when Muspell’s host rides it at Ragnarök. A named bridge appearing in that ruin, not bridge→appears_in→asgard as the peace-time crossing alone and not muspelheim as the fire-host alone.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Plate appears in Valhalla.
Snorri’s Gylfaginning seats the einherjar’s daily feast at Valhalla’s tables. A named plate-kind in that hall feast, not ladle as the dipping service alone and not cup as the drinking vessel already walked under PE/W3 neighbors.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

text · 3

Völuspá appears in Poetic Edda.
Völuspá is preserved as a poem inside the Poetic Edda collection. A named poem’s presence in that corpus, not a claim that Völuspá is the whole Edda and not ragnarok as a free label.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
appears in · sourced · documented
Gylfaginning appears in Prose Edda.
Gylfaginning is the framed cosmogony book that sits inside Snorri’s Prose Edda. A named part appearing in that handbook, not gylfaginning→appears_in→norse as tradition seat alone and not Skáldskaparmál as a second book under one id.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented
Völuspá is historically related to Gylfaginning.
Snorri’s Gylfaginning retells and leans on Völuspá’s cosmogony and Ragnarök speech inside its prose frame. A named historical transmission between verse lay and prose handbook, not voluspa→appears_in→poetic-edda as corpus seat alone and not identity of the two texts.
from Snorri Sturluson · Gylfaginning, c. 1220
historically related to · sourced · documented

phenomenon · 1

Heatwave appears in Muspelheim.
Snorri’s Gylfaginning seats Muspell among unbearable heat that faces Niflheim across the gap and later burns the world. A named heatwave-kind in that fire-world speech, not fire as the element already walked and not heat as the quality already walked.
from Snorri Sturluson · Gylfaginning, c. 1220
appears in · sourced · documented

quality · 1

Wisdom is sacred to Odin.
The Poetic Edda’s Hávamál is wisdom-speech under Odin’s voice: counsel, measure, and hard-won knowing claimed as his. Norse wisdom dedicated in that Odinnic poem, not Sophia as a goddess dump and not a self-help slogan.
from Anonymous (Eddic poems); Carolyne Larrington (translation) · Poetic Edda, medieval Icelandic compilation; Larrington trans. 1996/2014
sacred to · sourced · documented